Lauren Kate and Fallen

Thanks for checking back! Here’s my interview with the charming Lauren Kate:

KML: How are you doing today?

LK: I’m great! I am packing up to hit the road for my book tour. I’m feeling really excited.

KML: You have a very extensive tour ahead of you, five weeks I hear.

LK: Yeah. I love touring, I have in the past. Hopefully I’ll have as great of an experience this time. It’s great for me, having spent so much time alone in front of a computer. It’s great for me to get out and be able to talk to so many people. I feel like I catch up on everything that’s going on in the book world when I’m touring so I’m very excited.

KML: Fallen made its debut last year. I can personally say that as a bookseller, it served as lively competition for many of the standard YA titles that teens were being exposed to. Do you think that your novels offered a contrast or do you think it was playing into the same themes?

LK: The only time I think about that is during interviews. As with many writers, while working on a book, I’m not trying to work against or with others that are trying to tell a story. The books that Fallen stands on the shoulders of are all apart of the themes that I like. My main focus is to tell the best story I can tell.

KML: In Fallen and Torment you play with very familiar themes (Nephilim, reincarnation, etc.) which we have been seeing in film and media a lot lately. How have these themes been reflected throughout your life?

LK: Reincarnation is something I’ve always been fascinated by. I think I have had one past life experience in this life. It has to do with a castle in Scotland, and I’ve never been there. I’ve only seen photos of it. I’m hopefully going to check it out this fall while I’m in the UK. It’s only something I’ve been thinking about, what you would retain if you died and come back as something else. In the Fallen series, when working on Luce’s character (right now I’m working on Passion, which is the prequel), Luce’s soul is always the same but her character in each of the lives when she comes back is very, very different. This is because of the way she was raised, where she was brought up, who she met, who she interacted with, and how this all shaped her. When she meets past versions of herself she is alarmed at how different she can be. So that’s something that always fascinated. As for the Nephilim, that’s something I stumbled onto later. As I was doing research for Fallen, I don’t think I’d ever heard of them or knew much about them. Because my series is about an angel choosing love over heaven, obviously there would be some heaven. They play a big part in Torment and the rest of the series.

KML: Why did you choose to write for the YA genre?

LK: That wasn’t really a conscious choice. I’ve been writing short stories since I was seventeen years old. 80 percent of any story or book I try to write has about a seventeen year old girl. I’m not really sure why, it’s a voice that comes naturally to me. When I started writing Fallen, I didn’t know it would be YA. That may have to do with how the publishing market is right now, that it got slotted into a place that I really didn’t know where it would end up as I was writing it.

KML: Do you feel that Luce is living up to your idea of what kind of heroine she should be?

LK: That’s a great question. She’s beginning to. When I first started writing Fallen, I had an idea in my mind about a very different narrator. I wanted to write somebody more like Lyra Belacqua, a great fictional hero of mine. I realized as I was writing it that she couldn’t be quite as self assured as I wanted. She’s going through so much; she had to begin at a very different place than she ends up. She’s going to end up very empowered, enabled, and active. For me, she starts from a very low place. It was a bit of a struggle to write that kind of character but it’s been really rewarding that the further along I get, the more punch I can give her in the upcoming books. Surprisingly, it’s been a lot of fun.

KML: Angels have lived in our mythology throughout human history. What do you find most interesting about angels that make them worth writing?

LK: The reason I like writing about angels is because I also like writing about demons. I really like the dualistic nature of good and evil. Good and evil rely on each other so much and there’s a feeling of interplay between the two of them. One might not be able to exist without the other, what does that say about the relationship between them? We paint them as such opposites, but in the books I’m writing, they really come together and fuse into one another often. The exciting thing is determining ‘what is the nature of good and evil?’ and is it as clear cut as we think it is?

KML: There are several kinds of love that pulse through your novels, there are many levels of love that Luce experiences, as a daughter, friend, and lover. What were you hoping that the reader would understand about love after reading your novels?

LK: That’s another great question. The question I get asked a lot is how do I know if it’s true love and that’s a separate answer from the answer to this question. In this case, what is important about love that I’m trying to show about Luce and Daniel is how enduring it is. It’s really hard for a lot of readers and for me to write, coming into the middle of things. There’s so much back story between these two that the reader isn’t privy to, that Luce isn’t privy to, Daniel doesn’t display in anyway, at least in Fallen and a little bit more so in Torment. I think it’s a stick-to-itiveness that I want to show these characters have for each other because they feel something very deeply though neither of them can understand the complexities of it or the challenges of it, and they persevere. I think that’s a very important element of love, not giving up on someone. As I’ve been writing Passion, in a way it’s the most rewarding to write so far. I get to show why all of this angst and secrecy is worth it. I get to show the true nature of their love. That perseverance is applying to the reader, maybe, trying to get to the point where everything is illuminated.

KML: The marketing campaign for Fallen and Torment is in full swing. I can boast that I own a very slimming Torment T-Shirt (which I love). What can we look forward to as we wait for the third installment of your Fallen series?

LK: Definitely a lot of me on the road. I’ll be traveling to 8 cities in the US in the next 3 weeks. Then I’ll be in the UK for 2 weeks. When I get back, I’ll be doing a lot of local appearances around LA and several throughout the southwest and southeast in the winter. What’s really fun for me is all of the foreign editions of Fallen and now two of Torment that are starting to come out. With each of those there are new teasers and trailers available on my website and Youtube. As you said, the t-shirts are great. I think there’s going to be a lot more of that kind of thing to come in the future.

KML: Can you tell us more about The Betrayal of Natalie Hargrove?

LK: That’s my first book. In some ways it’s similar to Fallen. It’s a southern gothic story, set in Charleston, South Carolina. It’s basically a retelling of Macbeth told from Lady Macbeth’s point of view set in a contemporary southern high school. It’s a very saucy tale. Natalie is the opposite of Luce. She’s conniving, knows what she wants, and will stop at nothing to get it. She’s really sharp and funny. It’s a great book. I’m hoping it will get more readers in the wait between Torment and Passion.

KML: Who are your main influences as an author?

LK: My oldest influences are probably F. Scott Fitzgerald (the Great Gatsby is absolute perfection to me, and I love all of his other books too), I love Dickens, Virginia Woolf, Don Delillo, and more recently I’ve been inspired by The Hunger Games. I think Suzanne Collins is incredible. I love Philip Pullman, Frances Hardinge, Maureen Johnson and John Green. I just read a really great book called The Replacements by Brenna Yovanoff. I’m so impressed by her.

KML: Is there anything you’d like to share with your readers that they may not already know?

LK: My complete excitement about Passion. Readers right now haven’t even gotten their hands on Torment but I’m a little bit further down the road and already thinking about how killer this third book is going to be. For anyone who feels that at the end of Torment they have so many more unanswered questions, I promise to deliver in Passion.

KML: Good! I can’t wait.

For all of you psycho-author fans, here’s a copy of the tour schedule. I hope to see some of you out there!

Love Never Dies

Lauren Kate is coming to your area on a 9-city tour!

San Francisco

September 28 @ 6:30 PM

Barnes & Noble

6050 El Cerrito Plaza

El Cerrito, CA 94530

San Francisco

September 29 @ 7:00 PM

Kepler’s Books

1010 El Camino Real
Menlo Park, CA 94025


September 30 @ 6:30 PM

University Bookstore

15311 Main Street
Mill Creek, WA 98012


October 1 @ 7:00 PM


16549 Northeast 74th Street
Redmond, WA


October 2 @ 2:00 PM

Powell’s Books

Cedar Hills Crossing

3415 SW Cedar Hills Blvd.

Beaverton, OR 97005


October 2 @ 7:00 PM

Barnes & Noble

12000 SE 82nd Avenue

Portland, OR 97266

Los Angeles

October 3 @ 11:00 AM

OC Children’s Book Festival


October 4 @ 7:00 PM

Barnes & Noble

Mansell Crossings

Shopping Center

Alpharetta, GA 30022


October 5 @ 7:00 PM

Books- A- Million

5900 Sugarloaf Parkway
Lawrenceville, GA 30043


October 6 @ 6:00 PM

Davis-Kidd Booksellers

387 Perkins Road Ext

Memphis, TN 38117


October 7 @ &:00 PM

Barnes & Noble

2774 N Germantown Parkway

Memphis, TN 38133


October 8 @ 4:00 PM

Davis-Kidd Booksellers

212 Green Hills Village Drive

Nashville, TN 37215


October 9 @ TBA

Southern Festival of Books

New York

October 11 @ 7:00 PM

Barnes & Noble

91 Old Country Road

Carle Place, NY 11514

New York

October 12 @ 7:00 PM


1260 Old Country Road
Westbury, NY 11590


October 13 @ 7:00 PM

Anderson’s Bookshop

123 West Jefferson Avenue

Naperville, IL 60540


October 14 @ 7:00 PM


1540 E Golf Rd
Schaumburg, IL 60173

Lauren will also be visiting local schools throughout her tour.

For media, contact: Noreen Herits / 212-782-9677 /

Or Roshan Nozari / 212-782-9677 /

A great big thanks to Lauren Kate for taking the time to talk to me and to her wonderful publicist, Noreen for setting everything up for me. Don’t forget to check out Lauren Kate’s website! Her books are available at

Happy Reading!

Herbie Brennan Gives Us Dish

Herbie Brennan has written over a hundred books in science fiction, young adult fiction, children, and nonfiction genres, all of which speak of his interests and his mind. His YA titles are Faerie Wars, The Purple Emperor, Ruler of the Realm, and Faerie Lord; all in the Faerie Wars series. He has also released a mystical James Bond novel for teens called The Shadow Project.

Faerie Wars is about a boy named Henry who is suffering from some family problems– his home is breaking, his father is leaving, and his family doesn’t understand him. The only person who even kind of gets him is good old Mr. Fogarty, the odd old man Henry helps around the house. Alternately, in a parallel but not quite world, there is Pyrgus. He is a bleeding heart prince that can’t stand the sight of anything being intentionally injured. Prince Pyrgus gets off on the wrong foot with an influential member of the Faeries of the Night, forcing his father to send the boy away somewhere safe. Something goes wrong and though Pyrgus was supposed to end up on a secluded island where he can relax in the sun, he winds up in Fogarty’s backyard as a tiny faerie with wings. Henry and Mr. Fogarty get wrapped up in Pyrgus’s world and try to help him get back to where he belongs. Together they must figure out the ulterior motives behind sending Pyrgus off track.

This has been one of my favorite books for years. It was one of the first to get me into fantasy for young adults. Of course, I had been reading Harry Potter and Artemis Fowl. Faerie Wars is what really started it, though. Brennan wasn’t afraid of touching upon themes and ideas that young adults weren’t used to at the time. I almost dropped the book when I found out in the first few chapters that the main character’s mother was having an affair with a woman. I was 14 at the time. Brennan masterfully blended scientific research with fantasy, keeping everything in a realistic light. One thing you’ll notice that I love about Young Adult is when there is honesty in the writing, and that’s what Brennan had. His characters were true to themselves and their hearts, even the villains. I can’t help but to smile when I hold this book in my hands because I know that between the covers there’s a wonderful story waiting to carry me through alternate universes and on a perilous journey. If you like Harry Potter, love Artemis Fowl, then read this series. It will blow you away.

Mr. Brennan gladly took the time to talk to me and give me insight on his experiences as a writer. Luckily, we were able to Skype chat between his sunny Ireland and my cloudy New York.

Kiss My Lit: Where did you get the idea for Pyrgus and his world?

Herbie Brennan: I had no interest whatsoever in Faeries or Faerie mythology. What happened in a nutshell was that a friend of mine that was in the toy business at the time rang me up several years ago and said they were doing some market research, and as far as they could see the coming thing in toys was going to be Faeries. They wanted to do a range of Faerie figures—getting the actual figurines made in America. The big gimmick was that they would have silk wings, butterfly wings. He wanted me to write some booklets to go with the individual figures. I said sure but nothing came out of it. A couple of years later he was over visiting me and I asked him about this old Faerie project. He said “It’s gone onto the back-burner and we’ve gone onto other things. The point of fact is that research we did was rock solid. I’m absolutely convinced that Faeries are going to be the coming thing and you should be writing about Faeries.” And I said “Look, Steve, I have no interest in Faeries in the wide world.” And he said something odd, Mary. He said “What do you know about butterfly names.” I told him that I knew nothing about butterfly names. He said “Humor me. Get yourself a book on butterfly names, and tell me if you don’t think it would make fantastic fantasy characters.” I went out the following day and I bought this guide to butterflies and moths and I leafed through it. He was so right. You’ve got characters like the Purple Emperor and Holly Blue, and even the Latin names were absolutely fantastic. There’s the Pyrgus Melvae, which is the Grisly Skipper. The names started to work in my head. An environment came up around them and the characters came up. I couldn’t let them go. Eventually, I wrote a couple of chapters (I didn’t have a publisher). After 3 or 4 chapters I thought I was wasting too much time on this, I have other projects on hand. I sent it to my agent, and I said “Look, do you think this is worth following through?” She said to me “No, I don’t like this. It’s too separate strands of a story. You’ve got a boy in the human world and he’s got his own particular kitchen sink problems and you’ve got these fantasy characters living in another world. They don’t come together.” So I said “I’ll see if I can bring them together.” And I wrote another 4 chapters, that was 7 chapters in all. I sent them off and didn’t hear from her for months. Suddenly she optioned it. It was on the day of 9/11 and one of the editors was actually stuck in New York and couldn’t get out. He did a deal and I finished the book.

Kiss My Lit:Was Faerie Wars always going to be a series?

Herbie Brennan: When I started it I had no idea it was going to be a series. By the time I finished it, I knew the story wasn’t finished. I wanted to do at least a second book. When I finished Purple Emperor, I knew the story still wasn’t finished. I realized I was into one of these things that go on. I wanted to see what would happen to Henry and Holly. To me the whole series was Henry’s story. I love happy endings and romantic endings. I wanted them to get married and they did eventually.

Kiss My Lit: Do you think you might revisit those characters as adults?

Herbie Brennan: I didn’t when finished fourth book. I thought that’s it, I had enough of Faeries, I’m going on to do something else. I did, in fact, start another series. Then I started getting e-mails from fans saying wait a minute, what happened to Henry and Holly after they got married, and you didn’t tell us what happened to Fogarty, and you didn’t tell us what happened to Pyrgus, and what’s going on about this and what’s going on about that. Eventually I just caved under the pressure. I wrote one more; it’s a thing called Faeman Quest. Faeman being an amalgamation of Faerie and human. That’s coming out next January. Having got that one out of my system, I told the publishers this is definitely a stand-alone thing just to tidy up loose ends. I got an idea for another one about Faeries. This will go on forever.

Kiss My Lit: Will there be The Shadow Project?

Herbie Brennan: There’s one more also coming out in January of next year. There is a second Shadow Project called The Dooms Day Box with the same set up, same characters, with one new major character added. The theme of that one is time travel. I don’t know whether that will go beyond the two books. I was contracted originally for two books in that series. I would imagine that an awful lot of that will depend upon sales if the publisher will come back to me for more.

Kiss My Lit: Why did you blend science fiction and fantasy?

Herbie Brennan: I was brought up on sci-fi, I had never much of a fantasy reader. I absolutely adored science fiction. Occasionally I would come across something that’s a blend of science and fantasy. One that impressed most was The Birthgrave by Tanith Lee. That took you through the whole book thinking you were reading a sort of Sword and sorcery type fantasy, but right at the end twisted the thing and you’ve been reading science fiction. The characters, when they came for Faerie wars, were very much fantasy characters, but my leaning has always been science fiction. I don’t plot my books. I do a synopsis for publishers, and then throw it away. The characters go their own way. End up with books totally different from what I set out to write. They are usually as surprising to me as they are to anyone else.

Kiss My Lit: You’ve written many nonfiction accounts of elements and ideas that many people consider to be science fiction. How is it different exploring those themes as an academic rather than as a fiction writer?

Herbie Brennan: I didn’t start out as a fiction writer, I started out as a factual writer. My very first book was a consequence of a peculiar out-of-body experience I had when I was in my twenties. I was intrigued by that and researched it to discover other people had similar experiences. I produced a book on the subject called Astral Doorways. That was a reflection of what an interest I had. To be honest with you, I tended to write like that for a very long time. I become interested in something, research it, and simply write it. After about three or four published books, my agent got me a commission to write a historical novel. I wrote three historical novels at that time. They didn’t sell particularly well. One of them was quite a good novel, the other two not so good. I went back to nonfiction. I was at that for years and years, and oddly enough the same man who gave me the idea for Faerie Wars years before rang me up one day and said “Have you ever heard of Game books?” and I said no. He went on to say “You should have a look at this, there’s a couple of writers that put together something called Warlock of Firetop Mountain and it’s a game book based on a sort of dungeons and dragons type of approach. It’s a very good idea, but it’s not particularly well written. You could do better.” And I went out and got a copy. I thought great idea, I think I could probably write it a little bit better. I sat down and I started writing GrailQuest. That’s been my biggest seller ever. It ran into millions internationally. What this comes down to is these things grow on me organically rather in any planned way. Developing things factually, to me, is exploring ideas. Developing the same things fictionally is just another way of exploring ideas. I have noticed, and I was fascinated by, people pay far more attention to an idea you put forward as fiction than an idea you put forward as fact with scientific research.

Kiss My Lit: Do you have any upcoming projects?

Herbie Brennan: There’s nothing literally in the pipeline. I’ve got three proposals going out. Literally any day now my agent is en route to New York, you might bump into her on the street. Hopefully might strum up a bit of business there. At the moment I’m sitting in the sunshine in Ireland without a cloud in the sky, doing absolutely nothing.

Kiss My Lit: Who was your favorite character to write?

Herbie Brennan: Henry. Very closely followed by Mr. Fogarty. I love Fogarty, I thought he was absolutely gorgeous. I wish they’d make a movie because I’d love to see him on-screen.

Kiss My Lit: So what are you reading now?

Herbie Brennan: I’m reading Scarlett Thomas’s Our Tragic Universe. I read her first novel called The End of Mr. Y, I thought it was absolutely fascinating. When this one came out I grabbed it and I’m enjoying it hugely.

Kiss My Lit: You’ve written endless numbers of titles for nonfiction, adult fiction, and young adult. Which is your favorite genre?

Herbie Brennan: I think Young Adult. I can relax into it more. I endlessly fight with publishers about content of YA books. Publishers have this feeling that young adults should be treated as children and I feel they should be treated as adults. If I’m absolutely honest, I don’t think I’ve ever grown up properly. My mind runs along the same lines as it did when I was eighteen which is a very long time ago now, but it hasn’t changed a great deal. I like writing for youngsters, but only up to a point. It’s like eating chocolate, if you eat too much it sort of palls on you eventually. But up to that point I do enjoy writing for kids because you can be silly. With young adults you can explore ideas that an older generation of readers just isn’t interested in. I find that intriguing. Even though I happen to be reading Scarlett Thomas at the moment (and she’s an ideas writer), I find that when I want to find really stimulating ideas, I go to young adult authors. I just think that there are much more interesting ideas coming up in young adult literature now than in more serious adult literature.

Kiss My Lit: Can you tell me a little bit about the Servants of Light and how your affiliation influenced your writing?

Herbie Brennan: I’m not a member of the Servants of the Light. I’m terribly friendly with the woman who runs the organization. When I was in my mid teens and early twenties, I underwent magical training for about nine years. The first four years was with a very sober organization called the Society of the Inner Light, which is part of the Dawn Tradition. I joined the Society, but left soon afterward because I felt it was turning into a sort of religious group, which I have no hassle with. I just wasn’t interested in joining a religion. I was far more interested in magical practice. I discovered then a program called Helios which was written and run by some former members of the Society of the Inner light. Helios just concentrated on magical training, so I trained in that for five years. I left the training aspect. Helios then turned itself into the Servants of the Light. The original founder of Helios, Ernest Butler, God love him, died. He was diabetic and lost both his legs before he died. Absolutely tragic end. When he died, the organization was taken over by a woman named Dolores Ashcroft-Nowicki. Dolores wrote to me a few years afterward because she read a few of my esoteric books. We became friendly and remained close friends ever since. I give talks to them occasionally; a lot of them think I’m a member. The influence… I don’t know. There obviously must be an influence. The training I had was cabalistic. That certainly sends your mind in particular directions. It wasn’t a question of becoming interested in the subject because I was involved with these organizations. It was a question of becoming involved with these organizations because of my interest in the subject. I’ve been interested in magic since I was a child. I’ve been interested in hypnosis, I hypnotized my first subject when I was nine years old. I have been interested in spirituality, yoga, Indian, Oriental mysticism from my early teens. When you have these interests, you tend to follow them through which is what I did. I think the interests are certainly present in my books. All you have to do is look at the list of titles and you see it’s spread all over. All you have to do is pick up Faerie Wars and you see it all over the text. I am interested in magic, I’m interested in mysticism, and I’m interested in science. That comes through as well.

Kiss My Lit: I read that there was some movie interest in Faerie Wars, did that pan out?

Herbie Brennan: It did and it didn’t. I don’t know if you know anything about the movie business, andI certainly didn’t until Faerie Wars. What they do is if they’re interested in your book, they take out an option. That means they pay you money and you aren’t allowed to sell it to any other studio or movie maker until the option runs out. They are on their second option at the moment, each option running for three years, I think. Or 18 months, I can’t remember. At the moment there is no actual sign of them making the movie. It looked very hopeful a year ago. When the recession hit, I think they were trenching. Movies take such astonishing amounts of money. You can see that you have to be extraordinarily careful if you’re going to make one. If you write a book that doesn’t succeed, you just lost a bit of time. If you make a movie that doesn’t succeed, you lose millions and your career comes to a screeching halt. I can’t say I blame them. There’s also been a bit of movie interest in The Shadow Project. They’ve got a Hollywood producer who is at the moment talking to studios about the possibility of funding. But it hasn’t gotten as far as the option stage yet.

Kiss My Lit: Is there anything you’d like your readers to know?

Herbie Brennan: I’d like them to know I love them.

I’d like to thank Mr. Brennan again for giving me his time and talking to me about his career and upcoming projects. Show him some love at his website, check out Herbie Brennan’s Bookshelf to learn more about him and his work. Don’t forget to check out his books for sale here.

Tom Sniegoski Stops to Chat

Earlier this month I reviewed the first half of the Fallen series by Tom Sniegoski. I e-mailed him the day that review was posted asking if he had time for an interview. Now, after our schedules settled down and we had a chance to breathe in our respective lives, we had the opportunity to sit down and talk on the phone.

Sniegoski has been all over the industry. He got his start doing comic books, his first love. “I was able to learn how to do comic book writing, which is basically scripting,” he said. He described the process as broken down, panel by panel. It was like writing the directions in a movie script, describing to the artist what the scene will look like. It’s mechanical and has a serious methodology to it. “A novel is much more organic. It flows outside of you and you see it inside your head.” With novel writing, the description of the scene is less conversational than with comic book writing. “I could tell the artist I don’t know how the scene looks like but maybe the monster looks like the smoke monster from Lost, and they get it.” There’s more give and take when writing for comics while with a novel it’s just you conveying 100% what the reader is supposed to be experiencing on the page. Novels are done with words and comic books are a visual medium.

Tom (there I called you Tom, happy?) said that he didn’t differentiate too much between writing for adults and writing for kids. Writing Fallen and Remy Chandler contains very little difference other than the mindset. “Maybe I don’t swear as much in my YA novels.” He didn’t think it was necessary to make conscious efforts to alter the story telling when switching the audience. A good story is a good story no matter what the age group is. The age of the character is part of the story, where a character is in life. “I only really thought about it for Billy Hooten Owl Boy.” It was a middle grade book, so he had to be more careful with the subject matter. It was the first time he had to be conscious of the age of he reader. He had to keep his descriptions to a minimum.

“Who do you think about as your target audience when you write?” I asked. Tom admitted he has a tendency to write for boys. He’s all about monsters, fighting, violence, and doesn’t really go towards sensitive or emotional moments. “I’m always trying to satisfy my inner 10 year old boy,” he said with a laugh. “Then I try to mature it and make it more palatable for a female or someone older.” It’s obvious that he leans more towards a masculine vibe of writing, which I find to be refreshing after countless romances and fantasies for young girls. Boys don’t get enough representation in the YA section, but Tom seems to be doing something about it, or trying to at least.

Tom told me that while writing for comic books is a blast, the stuff he’s written for YA is just intensely satisfying. Writing comic books doesn’t feel like work compared to writing a novel. It’s more serious, draining, and time consuming. He’s written more than just the Fallen series for YA. He’s also written The Sleeper Code and The Sleeper Agenda, which are throwbacks to a Bourne Identity style of story telling. There is also Legacy, about superheroes. What he likes the best about YA is that there aren’t any limitations to what can be written. His friends often feel sorry for him when he produces YA work, but he talks them out of their disdain and convinces them that it’s not all romance and vampire stories. “There’s really great stuff being published in YA.”

“Why make The Fallen series YA?” I inquired, curious about the birth of this series. Tom told me that he started writing Kiss Before the Apocalypse and he had four or five chapters as samples. At the time, he was working with an editor at Simon & Schuster. This was when he was working on The Monster Book (a compendium of monsters from the television show Buffy). Lisa Clancy asked if Tom had been working on any new fiction. When Tom showed her the early chapters of Kiss, she loved it. She couldn’t buy it, though. She only dealt with YA, so it was brutal for her to pass up on something with such interesting subject matter. Tom got to thinking, why not write for YA? Even though Kiss Before the Apocalypse came first, The Fallen was completed first. He enjoyed the challenge of taking concepts and ideas and applying them to a new story.

When talking about where the inspiration comes from, Tom described it as a germ that spreads and gets bigger. It grows, collecting other aspects of story and characters. Once it reaches a certain point, it might require research or the research will give you the spark or missing piece. A lot of the time it’s just a pretty good idea. It’s not formed yet. Tom thoroughly enjoys the research, it’s where he finds the details that can make or break the story. “I found biblical writings about a sect that believes Lucifer would one day be forgiven.” That detail helped to create The Fallen.

The success of The Fallen series has always been high, we saw this when ABC decided to adapt a film version of the series. I always wonder how the writer feels after a film has been released based on their work. Tom claimed to have liked it. “The written work is always going to be there. Did I agree 100% with what they did? No. But with what they managed to pull off, I found it really entertaining.” He was not as entertained with the films that followed. He felt that they went too far away with what was originally supposed to happen in the books. Lucifer wasn’t supposed to be a bad guy. Because of the research that revealed the idea of Lucifer’s possible redemption, The Fallen and Aaron were born. “Maybe they were afraid of receiving scorn from religious communities that disagreed with that belief.”

“I noticed that you thank in your acknowledgements people that share names with your characters, or at least you did in The Fallen and Leviathan. Did you do that on purpose? Did they inspire you to create those characters?” Tom’s reaction to this question was not what I was expecting. “It was actually a running joke that I’ve had for a long time with my friend Tom Stanley. I have killed him in half my books. He’s a high school buddy of mine and I have killed him in horrible and embarrassing ways.” Any one that Tom is particularly close with, he kills off in one of his books. They are immortalized in fiction. Who doesn’t want to die horribly in a book that’s going to be around for at least a couple of years?

When Tom was young, he was torn between drawing and writing. “I love comics so much that I dabbled in drawing. But in high school, I had a creative writing class. I started to really focus on writing stuff. It captivated me. I felt that I could write better than I could draw.” He started laughing and bemoaned his drawing talent. He could sketch out a quick scene, but he could never draw an entire issue of a comic. “It would be hysterical and horrible.”

I then pointed out Mulder’s approval of Tom’s website. Mulder being the yellow lab featured in pictures of Tom taken for his novels. I had intended this question to be a funny segue into the incorporation of dogs into his work and Mulder’s influence on his life. I then found out that Mulder passed away shortly before this interview. And thus I felt like a butt. “Life goes on. He was my muse for 13 years. I’m missing the routine, though. He was a gigantic presence in my life and in work.” Now, I love dogs. I will literally stop whatever I’m doing to bend down and scratch a puppy’s ears just because. I sympathized with Tom, knowing how attached he must have been and imagining how I would have handled the situation. I would have been wrecked.

Tom’s newest novel will be his fourth Remy Chandler, 100 Words for Hate. It’s not going to be turned in until late summer. He just finished his second original Bone. Bone Tall Tales will come out in July or August. Sometime in the fall will be the release of the Bone novels. The first one will be called Quest for the Spark. It picks up where Jeff Smith left off. It’s the next phase in the story, introducing new and old characters. “There will be 20-25 nice drawings by Jeff.” Tom said, happily. The third book will be written by late summer/early fall. Tom met Jeff at conventions and he was so nice, Tom felt guilty that he hadn’t jumped on the Bone books when they first came out. He finally picked them up and practically inhaled the words and images off the page.

Tom is currently reading Horns by Joe Hill, which is about a guy who wakes up one morning with horns on his head. He decides to use his new demonic powers to take revenge for a heinous wrong (because what else will you do with demonic powers?) and Skulduggery Pleasant which is about a skeleton that helps a 12 year old Irish girl to solve murder mysteries. I went to the website when he told me about it, and was entertained by the Dick Tracy-esque skeleton. He also reads a lot of urban fantasy and authors that write similar stories to his own. “I want to see what other people are doing. I don’t want to seem like I’m copying anyone. I also read an hour before bed– it helps me to wind down.”

Tom would like his readers to be on the lookout for the new Bone books. Also, if the Fallen books continue the way they’re going, there is a possibility for there to be more! There’s no green light yet, but there has been talk on the subject. If they continue to like what they see, then his editors will want more of the Fallen series. Tom has considered continuing the story years ago. If you pay careful attention, then you can see the clues and hints towards a continuation. The next bind-up will be released in July. The fourth book has been out of print for years. People who have read the first through third books can’t finish because Simon & Schuster let the fourth go out of print. You could only get it through rare book dealers that wanted a hundred dollars for it. “After many years of putting up with the angry e-mails, I was relieved when they announced the bind-ups.

Check out Tom Sniegoski’s web site! You can find his books at Borders, Barnes & Noble, or